{"id":73,"date":"2023-11-02T02:02:46","date_gmt":"2023-11-02T02:02:46","guid":{"rendered":"https:\/\/www.giannispaschos.gr\/voluptates-aliquam-dolorem-cumque-esse-aut\/"},"modified":"2026-02-09T21:07:08","modified_gmt":"2026-02-09T19:07:08","slug":"voluptates-aliquam-dolorem-cumque-esse-aut","status":"publish","type":"post","link":"https:\/\/www.giannispaschos.gr\/en\/voluptates-aliquam-dolorem-cumque-esse-aut\/","title":{"rendered":"\u039a\u03c1\u03b9\u03c4\u03b9\u03ba\u03ac \u03c3\u03b7\u03bc\u03b5\u03b9\u03ce\u03bc\u03b1\u03c4\u03b1"},"content":{"rendered":"\n
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Reviews <\/strong><\/p>\n\n\n\n

The stories of Giannis Paschos are a relay of images, an acoustic and colorful orchestration of the language.<\/em> Katerina Schina, Newspaper Kathimerini<\/strong><\/p>\n\n\n\n

The power of ingenious conceptions and the performance of the insightful reasoning of Giannis Paschos can cause an ecstatic and riveting feeling.<\/em> Thomas Korovinis, , Diastixo<\/strong><\/p>\n\n\n\n

With his prose – like, clearly poetic education and articulate texts, Paschos unfolds a concentrated dystopia, sometimes referring to surrealism and sometimes to the absurd.<\/em> Vaggelis Chatzivasiliou, Anagnostis<\/strong><\/p>\n\n\n\n

Paschos won the bet of removing boundaries between poetry and prose.. He is a sui generis writer of  Epirus (based in Ioannina) lucky enough to get his work published by the artistically quirky Perispomeni Editions,and see his words printed in beautiful books, an honour which he really deserves.<\/em>. Stefanos Tsitsopoulos, Athens Voice<\/strong><\/p>\n\n\n\n

Giannis Paschos renews the contemporary literature in form and content, boxing a collective of values \u200b\u200bthat holds well, and at the same time he weaves together a gallery of human bonds of universal orientation.<\/em> Voula Skamnelou, Bookpress<\/strong><\/p>\n\n\n\n

Modern and contemporary poetic writing, with terrifying images of incomparable beauty and horror.<\/em> Cloe Koutsoumpeli, frear<\/strong><\/p>\n\n\n\n

Giannis Paschos writes with the agitation of someone who woke up with clarity from a nightmarish dream.<\/em> Costas Karavidas, Newspaper Epochi<\/strong><\/p>\n\n\n\n

In a humble and rare way, Giannis Paschos walks with a thoughtful step, with the accuracy of realistic observation, with a mostly transcendental vision..<\/em> Cristo Kremniotis, Newspaper Eleftherotypia<\/strong><\/p>\n\n\n\n

The author does not hesitate to reverse any available ritual that is part of the triptych “fatherland, religion, family”.<\/em> Kostoula Maki, Fractal<\/strong><\/p>\n\n\n\n

Giannis Paschos attempts to give us seven warning stories that express the decline of our world. And he succeeds by leaving us speechless.<\/em> Kyriaki Beioglou, Newspaper<\/strong> Efimerida  Syntakton<\/strong> , EFSYN<\/strong><\/p>\n\n\n\n

Stories like arias: an essence of immersion in the literary essence, in a surreal style, which leaves the reader with a sense of flatulence masterfully woven.<\/em> Nickos Xenios, Bookpress<\/strong><\/p>\n\n\n\n

A stormy and irrevocable monoconidial writing style, sweeps away every second thought the reader tempts to make, to endure what the author describes.<\/em> Titika Tzalla, Newspaper  Ipirotikos Agon<\/strong><\/p>\n\n\n\n

His stories do not respect borders, they do not enter molds, they do not stop anywhere. They do not obey norms. They travel and carry us using  imagination as a means of transport<\/em>.\u2026 <\/em>Aspa Chasioti, frear<\/strong><\/p>\n\n\n\n

The book is written with incredible humor and disarming honesty, an indictment of the educational system as well as the political system that feeds it, with sarcasm as well as self-sarcasm.<\/em> Eleni Priovolou, Fractal<\/strong><\/p>\n\n\n\n

Paschos’s literary texts are characterized by his own way of reading the world – often humorous, often commentary, often subtly sarcastic<\/em>. Manos Kontoleon, Bookpress<\/strong><\/p>\n\n\n\n

The shocking narrative of Paschos, however difficult the incidents he narrates, are made even more spartan by his literary pen<\/em>. Sideris Dioudis, Human Traffic<\/strong> <\/p>\n\n\n\n

The book, written with directness, honesty, humor and empathy, does not simply tell a story, but indirectly attempts an indictment of the public school<\/em>. Lina Fitili, frear<\/strong><\/p>\n\n\n\n

The linear narration of the events in the work of Yannis Paschos is structured with natural, restful and fresh language.<\/em> Lilia Tsouva, Stigma Logou<\/strong><\/p>\n\n\n\n

The autograph novel “The Chronicle of a Dyslexic” by Yannis Paschos is of particular interest as a literary reading and moves the reader with its truth.<\/em> Despina Kalaitzi-Chalioumi,anagnostis.gr<\/strong><\/p>\n\n\n\n

I read the book by the author and biologist Yannis Paschos \u201cChronicle of a Dyslexic\u201d in one go and got a good dose of optimism. I do not hide that at times times,  I laughed and cried while reading this book<\/em>. Iosif Manikis, Fractal<\/strong><\/p>\n\n\n\n

Pisces is a difficult and daring undertaking from a scientific point of view, and the authors have succeeded in a unique and original manner not only to provide valuable insights but also to demonstrate ways of putting into practice t the so proclaimed and desired interdisciplinary creative research..<\/em> Manolis Piblis, TA NEA<\/strong><\/p>\n\n\n\n

His text in terms of form is unruly. It is a narrative, a wonderful literary composition, an allegory..<\/em> Despina Saltouridou, HARTIS<\/strong><\/p>\n\n\n\n

The texts of Yannis Paschos are charming, attractive, as well as instructive, open doors for re-reading and familiarization with experiences that you are invited to discover and experience behind and beyond reading. <\/em> Filimon Karamitsos, Eleutheria<\/strong>,newspaper<\/strong><\/p>\n\n\n\n

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Paschos writes about his past almost as if he were praying<\/em>. Kostis Papagiorgis, Athinorama<\/strong><\/p>\n\n\n\n

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A collection of short stories by a penetrating and sensitive writer who through the small talks about the great<\/em>. Kathimerini newspaper, N. Vatopoulos<\/strong><\/p>\n\n\n\n

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Yannis Paschos has assimilated the tradition of Latin American magical realism, the European absurdity of an Ionesco or a Hieronymus Bosch, the fantasy of a Jules Verne, but also our own tradition of Empiricus and Shaktouri. <\/em>Yannis Baskozos, O Anagnostis.gr<\/strong><\/p>\n\n\n\n

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The author uses self-mockery and humor \u2013 through humor he confesses the harshest truths. <\/em>Lina Fitili, frear<\/strong><\/p>\n\n\n\n

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\u039c\u03b1\u03c1\u03af\u03bd\u03b1 \u0391\u03b3\u03b3\u03b5\u03bb\u03ac\u03ba\u03b7<\/a>
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\u0393\u03b9\u03ac\u03bd\u03bd\u03b7\u03c2 \u039a\u03b1\u03bb\u03bf\u03b3\u03b5\u03c1\u03cc\u03c0\u03bf\u03c5\u03bb\u03bf\u03c2<\/a><\/td>\u039c\u03b7 \u03c6\u03b5\u03cd\u03b3\u03b5\u03b9\u03c2<\/td><\/tr>
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\u039a\u03c9\u03c3\u03c4\u03bf\u03cd\u03bb\u03b1 \u039c\u03ac\u03ba\u03b7<\/a><\/td>\u03a4\u03c1\u03af\u03b1 \u03b2\u03b9\u03b2\u03bb\u03af\u03b1 \u2013 \u03c4\u03c1\u03af\u03b1 \u03ba\u03b5\u03af\u03bc\u03b5\u03bd\u03b1<\/a><\/td><\/tr>
\u0394\u03b7\u03bc\u03ae\u03c4\u03c1\u03b7\u03c2 \u03a3\u03c4\u03b5\u03c6\u03b1\u03bd\u03ac\u03ba\u03b7\u03c2<\/td>https:\/\/www.literature.gr\/oi-magikes-istories-toy-don-ntomingko-giannis-paschos-ekdoseis-perispomeni\/<\/a><\/td><\/tr>
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\u03a6\u03b9\u03bb\u03ae\u03bc\u03c9\u03bd \u039a\u03b1\u03c1\u03b1\u03bc\u03ae\u03c4\u03c3\u03bf\u03c2 <\/td>https:\/\/www.ele.gr\/?p=46972 <\/td><\/tr>
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\u0392\u03b1\u03b3\u03b3\u03ad\u03bb\u03b7\u03c2 \u03a7\u03b1\u03c4\u03b6\u03b7\u03b2\u03b1\u03c3\u03b9\u03bb\u03b5\u03af\u03bf\u03c5<\/a><\/td>\u0398\u03b7\u03c1\u03b9\u03ce\u03b4\u03b7 \u03b2\u03c1\u03ad\u03c6\u03b7<\/a><\/td><\/tr>
\u03a7\u03bb\u03cc\u03b7 \u039a\u03bf\u03c5\u03c4\u03c3\u03bf\u03c5\u03bc\u03c0\u03ad\u03bb\u03b7<\/a><\/td>\u03a4\u03bf \u03b4\u03c5\u03c3\u03c4\u03bf\u03c0\u03b9\u03ba\u03cc \u03c3\u03cd\u03bc\u03c0\u03b1\u03bd \u03ba\u03b1\u03b8\u03c1\u03ad\u03c6\u03c4\u03b7\u03c2<\/a><\/td><\/tr>
\u03a3\u03c4\u03ad\u03c6\u03b1\u03bd\u03bf\u03c2 \u03a4\u03c3\u03b9\u03c4\u03c3\u03cc\u03c0\u03bf\u03c5\u03bb\u03bf\u03c2<\/a><\/td>\u0393\u03b9\u03b1\u03c4\u03af \u03b1\u03be\u03af\u03b6\u03b5\u03b9 \u03bd\u03b1 \u03b4\u03b9\u03b1\u03b2\u03ac\u03c3\u03b5\u03b9\u03c2 \u03c4\u03bf \u00ab\u03a6\u03bf\u03b2\u03bf\u03cd \u03c4\u03b1 \u03b2\u03c1\u03ad\u03c6\u03b7\u00bb \u03c4\u03bf\u03c5 \u0393\u03b9\u03ac\u03bd\u03bd\u03b7 \u03a0\u03ac\u03c3\u03c7\u03bf\u03c5;<\/a><\/td><\/tr>
\u0392\u03ac\u03c3\u03bf\u03c2 \u0397\u03bb\u03b9\u03bf\u03cd <\/td>\u03a6\u03bf\u03b2\u03bf\u03cd \u03c4\u03b1 \u03b2\u03c1\u03ad\u03c6\u03b7<\/a><\/td><\/tr>
\u03a4\u03b9\u03c4\u03af\u03ba\u03b1 \u03a4\u03b6\u03ac\u03bb\u03bb\u03b1 <\/td>https:\/\/www.agon.gr\/vivlio\/38146\/sti-dini-enos-efialti-poy-den-metamorfothike-gia\/ <\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
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\u039b\u03af\u03bd\u03b1 \u03a6\u03c5\u03c4\u03b9\u03bb\u03ae<\/a><\/td>\u0395\u03bc\u03c0\u03cc\u03b4\u03b9\u03bf \u03c0\u03c1\u03bf\u03c2 \u03c5\u03c0\u03b5\u03c1\u03c0\u03ae\u03b4\u03b7\u03c3\u03b7<\/a><\/td><\/tr>
\u0392\u03b1\u03b3\u03b3\u03ad\u03bb\u03b7\u03c2 \u03a7\u03b1\u03c4\u03b6\u03b7\u03b2\u03b1\u03c3\u03b9\u03bb\u03b5\u03af\u03bf\u03c5<\/a><\/td>\u03a0\u03b1\u03bb\u03b5\u03cd\u03bf\u03bd\u03c4\u03b1\u03c2 \u03bc\u03b5 \u03c4\u03bf\u03c5\u03c2 \u03b1\u03c1\u03b9\u03b8\u03bc\u03bf\u03cd\u03c2 \u03ba\u03b1\u03b9 \u03c4\u03b1 \u03b3\u03c1\u03ac\u03bc\u03bc\u03b1\u03c4\u03b1<\/a><\/td><\/tr>
\u03a3\u03b9\u03b4\u03ad\u03c1\u03b7\u03c2 \u039d\u03c4\u03b9\u03bf\u03cd\u03b4\u03b7\u03c2 <\/td>\u03a4\u03b1 \u03ba\u03b1\u03bb\u03cd\u03c4\u03b5\u03c1\u03b1 \u03b2\u03b9\u03b2\u03bb\u03af\u03b1 \u03c4\u03bf\u03c5 2022<\/a><\/td><\/tr>
\u0397\u03bb\u03b9\u03ac\u03bd\u03b1 \u03a0\u03bf\u03bb\u03cd\u03b6\u03bf\u03c5 <\/td>\u03a4\u03bf \u03c7\u03c1\u03bf\u03bd\u03b9\u03ba\u03cc \u03b5\u03bd\u03cc\u03c2 \u03b4\u03c5\u03c3\u03bb\u03b5\u03ba\u03c4\u03b9\u03ba\u03bf\u03cd<\/a><\/td><\/tr>
\u039c\u03ac\u03bd\u03bf\u03c2 \u039a\u03bf\u03bd\u03c4\u03bf\u03bb\u03ad\u03c9\u03bd<\/a><\/td>\u03a4\u03bf \u03c7\u03c1\u03bf\u03bd\u03b9\u03ba\u03cc \u03b5\u03bd\u03cc\u03c2 \u03b4\u03c5\u03c3\u03bb\u03b5\u03ba\u03c4\u03b9\u03ba\u03bf\u03cd<\/a><\/td><\/tr>
\u0395\u03bb\u03ad\u03bd\u03b7 \u03a0\u03c1\u03b9\u03bf\u03b2\u03cc\u03bb\u03bf\u03c5<\/a><\/td>\u0394\u03b9\u03b1\u03b2\u03b1\u03af\u03bd\u03bf\u03bd\u03c4\u03b1\u03c2 \u03c4\u03bf\u03bd \u03a1\u03bf\u03c5\u03b2\u03af\u03ba\u03c9\u03bd\u03b1<\/a><\/td><\/tr>
\u0391\u03bb\u03b5\u03be\u03ac\u03bd\u03b4\u03c1\u03b1 \u03a3\u03b1\u03bc\u03bf\u03b8\u03c1\u03ac\u03ba\u03b7<\/a><\/td>\u0393\u03b9\u03ac\u03bd\u03bd\u03b7\u03c2 \u03a0\u03ac\u03c3\u03c7\u03bf\u03c2: \u039f \u03c0\u03b9\u03bf \u03ba\u03b1\u03ba\u03cc\u03c2 \u03bf \u03bc\u03b1\u03b8\u03b7\u03c4\u03ae\u03c2<\/a><\/td><\/tr>
\u03a3\u03c4\u03ad\u03c6\u03b1\u03bd\u03bf\u03c2 \u03a4\u03c3\u03b9\u03c4\u03c3\u03cc\u03c0\u03bf\u03c5\u03bb\u03bf\u03c2<\/a><\/td>\u03a4\u03bf \u03c7\u03c1\u03bf\u03bd\u03b9\u03ba\u03cc \u03b5\u03bd\u03cc\u03c2 \u03b4\u03c5\u03c3\u03bb\u03b5\u03ba\u03c4\u03b9\u03ba\u03bf\u03cd: 100 \u03c3\u03b5\u03bb\u03af\u03b4\u03b5\u03c2 \u03bc\u03ac\u03bb\u03b1\u03bc\u03b1!<\/a><\/td><\/tr><\/tbody><\/table><\/figure>\n<\/div><\/div>\n\n\n\n
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\"\"<\/figure>\n\n\n\n
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\u039c\u03b1\u03af\u03c1\u03b7 \u0393\u03ba\u03bf\u03cd\u03b2\u03b1 <\/td>\u201c\u03a4\u03bf \u0395\u03b3\u03ce \u03b5\u03af\u03bd\u03b1\u03b9 \u03bc\u03b9\u03b1 \u03bf\u03c5\u03c3\u03af\u03b1 \u03c3\u03c9\u03bc\u03b1\u03c4\u03b9\u03ba\u03ae\u201d https:\/\/www.oanagnostis.gr\/quot-to-ego-einai-mia-oysia-somatiki-quot-tis-mairis-gkoyva\/<\/td><\/tr>
\u0396\u03b1\u03c7\u03b1\u03c1\u03af\u03b1\u03c2 \u03a3\u03ba\u03bf\u03cd\u03c1\u03b1\u03c2<\/td>\u0395\u03af\u03bd\u03b1\u03b9 \u03c4\u03bf DNA, \u03c0\u03bd\u03b5\u03cd\u03bc\u03b1 \u03ae \u03cd\u03bb\u03b7; https:\/\/www.hartismag.gr\/hartis-66\/biblia\/einai-to-dna-pneyma-i-yli<\/td><\/tr>
\u0386\u03c3\u03c0\u03b1 \u03a7\u03b1\u03c3\u03b9\u03ce\u03c4\u03b7<\/a><\/td>https:\/\/bookpress.gr\/kritikes\/poiisi\/20370-o-xristos-parakalaei-to-soma-tou-na-katevei-ap-ton-stavro-tou-gianni-pasxou-kritiki<\/td><\/tr>
\u03a0\u03b1\u03c1\u03b1\u03c3\u03ba\u03b5\u03c5\u03ae \u03a3\u03ba\u03b1\u03bc\u03bd\u03ad\u03bb\u03bf\u03c5<\/a><\/td>\u03a7\u03c1\u03b9\u03c3\u03c4\u03cc\u03c2 \u03ba\u03b1\u03b9 \u03a3\u03ce\u03bc\u03b1<\/a><\/td><\/tr>
\u03a6\u03af\u03bb\u03b9\u03c0\u03c0\u03bf\u03c2 \u03a6\u03b9\u03bb\u03af\u03c0\u03c0\u03bf\u03c5<\/a><\/td>\u039f \u03b8\u03ac\u03bd\u03b1\u03c4\u03bf\u03c2 \u03ba\u03b1\u03b9 \u03c4\u03bf \u03c0\u03ac\u03c3\u03c7\u03bf\u03bd \u03c3\u03ce\u03bc\u03b1<\/a><\/td><\/tr>
\u0395\u03c5\u03c4\u03c5\u03c7\u03af\u03b1 – \u0391\u03bb\u03b5\u03be\u03ac\u03bd\u03b4\u03c1\u03b1 \u039b\u03bf\u03c5\u03ba\u03af\u03b4\u03bf\u03c5<\/a><\/td>\u039f \u03a7\u03c1\u03b9\u03c3\u03c4\u03cc\u03c2 \u03c0\u03b1\u03c1\u03b1\u03ba\u03b1\u03bb\u03ac\u03b5\u03b9 \u03c4\u03bf \u03c3\u03ce\u03bc\u03b1 \u03c4\u03bf\u03c5 \u03bd\u03b1 \u03ba\u03b1\u03c4\u03ad\u03b2\u03b5\u03b9 \u03b1\u03c0’ \u03c4\u03bf\u03bd \u03c3\u03c4\u03b1\u03c5\u03c1\u03cc<\/a><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
\u039a\u03c9\u03c3\u03c4\u03bf\u03cd\u03bb\u03b1 \u039c\u03ac\u03ba\u03b7<\/a><\/td>\u039c\u03b9\u03b1 \u03bc\u03b1\u03ba\u03ac\u03b2\u03c1\u03b9\u03b1 \u03c7\u03bf\u03c1\u03bf\u03b3\u03c1\u03b1\u03c6\u03af\u03b1<\/a><\/td>https:\/\/neoplanodion.gr<\/td>19\/02\/2025<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

\u039b\u03af\u03bb\u03b9\u03b1 \u03a4\u03c3\u03bf\u03cd\u03b2\u03b1<\/a><\/td>		\u039c\u03b9\u03b1 \u03c3\u03c5\u03bd\u03bf\u03bc\u03b9\u03bb\u03af\u03b1 \u03c4\u03b7\u03c2 \u03c8\u03c5\u03c7\u03ae\u03c2 \u03bc\u03b5 \u03c4\u03bf \u03c3\u03ce\u03bc\u03b1<\/a><\/td>http:\/\/literature.gr<\/td>05\/02\/2025<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
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\u0395\u03cd\u03b1 \u039a\u03b1\u03c1\u03b1\u03b9\u03c4\u03af\u03b4\u03b7<\/td>https:\/\/eleftherostypos.gr\/politismos\/ti-diavasa-20<\/a><\/td>16-2-2025<\/td><\/tr>
<\/a>\u039a\u03c5\u03c1\u03b9\u03b1\u03ba\u03ae \u039c\u03c0\u03b5\u03ca\u03cc\u03b3\u03bb\u03bf\u03c5<\/a><\/td>\u03a0\u03b1\u03c1\u03ac\u03bb\u03bb\u03b7\u03bb\u03b5\u03c2 \u03b4\u03b9\u03b1\u03b4\u03c1\u03bf\u03bc\u03ad\u03c2<\/a><\/td>\u0395\u03c6\u03b7\u03bc\u03b5\u03c1\u03af\u03b4\u03b1 \u03c4\u03c9\u03bd \u03a3\u03c5\u03bd\u03c4\u03b1\u03ba\u03c4\u03ce\u03bd<\/td>08\/02\/2025<\/td><\/tr>
\u03a6\u03af\u03bb\u03b9\u03c0\u03c0\u03bf\u03c2 \u03a6\u03b9\u03bb\u03af\u03c0\u03c0\u03bf\u03c5<\/a><\/td>\u0394\u03cd\u03bf \u03ac\u03bd\u03c4\u03c1\u03b5\u03c2, \u03bc\u03af\u03b1 \u03c6\u03b9\u03bb\u03af\u03b1 \u03ba\u03b9 \u03bf\u03b9 \u03b3\u03c5\u03bd\u03b1\u03af\u03ba\u03b5\u03c2<\/a><\/td>www.oanagnostis.gr ,12\/02\/2025<\/td><\/tr>
<\/a>\u039c\u03ac\u03bd\u03bf\u03c2 \u039a\u03bf\u03bd\u03c4\u03bf\u03bb\u03ad\u03c9\u03bd<\/a><\/td>\u039c\u03b9\u03b1 \u03bf\u03c1\u03b3\u03b9\u03c3\u03bc\u03ad\u03bd\u03b7 \u03b3\u03b5\u03bd\u03b9\u03ac \u03b1\u03bd\u03b1\u03b6\u03b7\u03c4\u03ac \u03ba\u03b1\u03c4\u03b1\u03c6\u03cd\u03b3\u03b9\u03bf<\/a><\/td>www.bookpress.gr<\/td>29\/01\/2025<\/td><\/tr>
<\/a>\u0392\u03b1\u03b3\u03b3\u03ad\u03bb\u03b7\u03c2 \u03a7\u03b1\u03c4\u03b6\u03b7\u03b2\u03b1\u03c3\u03b9\u03bb\u03b5\u03af\u03bf\u03c5<\/a><\/td>\u0394\u03b9\u03b1\u03ba\u03c9\u03bc\u03ce\u03b4\u03b7\u03c3\u03b7 \u03c4\u03c9\u03bd \u03c3\u03cd\u03b3\u03c7\u03c1\u03bf\u03bd\u03c9\u03bd \u03b7\u03b8\u03ce\u03bd<\/a><\/td>\u0391\u03b8\u03b7\u03bd\u03b1\u03ca\u03ba\u03cc – \u039c\u03b1\u03ba\u03b5\u03b4\u03bf\u03bd\u03b9\u03ba\u03cc \u03a0\u03c1\u03b1\u03ba\u03c4\u03bf\u03c1\u03b5\u03af\u03bf \u0395\u03b9\u03b4\u03ae\u03c3\u03b5\u03c9\u03bd<\/td>25\/01\/2025<\/td><\/tr>
<\/a>\u0391\u03b8\u03b7\u03bd\u03ac \u039a\u03b9\u03bf\u03c1\u03c0\u03b5\u03bb\u03af\u03b4\u03bf\u03c5<\/a>
\u039a\u03b9\u03ba\u03ae \u03a7\u03c1\u03c5\u03c3\u03bf\u03bc\u03b1\u03bb\u03bb\u03af\u03b4\u03bf\u03c5<\/a><\/td>		\u03a4\u03b1 \u00ab\u03a0\u03b1\u03c1\u03b1\u03b4\u03b5\u03af\u03c3\u03b9\u03b1 \u03c0\u03bf\u03c5\u03bb\u03b9\u03ac\u00bb \u03c4\u03bf\u03c5 \u0393\u03b9\u03ac\u03bd\u03bd\u03b7 \u03a0\u03ac\u03c3\u03c7\u03bf\u03c5<\/a><\/td>Fractal<\/td>14\/01\/2025<\/td><\/tr>
<\/a>\u0388\u03c6\u03b7 \u03a6\u03b1\u03bb\u03af\u03b4\u03b1<\/a><\/td>\u00ab\u0397 \u03bd\u03cd\u03c7\u03c4\u03b1 \u03b5\u03af\u03bd\u03b1\u03b9 \u03c0\u03ac\u03bd\u03c4\u03b1 \u03ad\u03bd\u03b1 \u03cc\u03bd\u03b5\u03b9\u03c1\u03bf, \u03bc\u03af\u03b1 \u03c0\u03b5\u03c1\u03b9\u03c0\u03ad\u03c4\u03b5\u03b9\u03b1\u00bb<\/a><\/td>\u03a4\u03b1 \u039d\u03ad\u03b1<\/td>06\/12\/2024<\/td><\/tr><\/tbody><\/table><\/figure>\n","protected":false},"excerpt":{"rendered":"

Reviews The stories of Giannis Paschos are a relay of images, an acoustic and colorful orchestration of the language. Katerina Schina, Newspaper Kathimerini The power of ingenious conceptions and the performance of the insightful reasoning of Giannis Paschos can cause an ecstatic and riveting feeling. Thomas Korovinis, , Diastixo With his prose – like, clearly […]<\/p>\n","protected":false},"author":1,"featured_media":633,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[6,5],"tags":[],"class_list":["post-73","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critical-notes","category-books"],"acf":[],"yoast_head":"\n\u039a\u03c1\u03b9\u03c4\u03b9\u03ba\u03ac \u03c3\u03b7\u03bc\u03b5\u03b9\u03ce\u03bc\u03b1\u03c4\u03b1 - Giannis Paschos<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.giannispaschos.gr\/en\/voluptates-aliquam-dolorem-cumque-esse-aut\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:locale:alternate\" content=\"el\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u039a\u03c1\u03b9\u03c4\u03b9\u03ba\u03ac \u03c3\u03b7\u03bc\u03b5\u03b9\u03ce\u03bc\u03b1\u03c4\u03b1\" \/>\n<meta property=\"og:description\" content=\"Reviews The stories of Giannis Paschos are a relay of images, an acoustic and colorful orchestration of the language. 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